Gruff Rhys was also recording at Soundworks recently for a new short film “Dad” which is being made for S4C and the European Broadcast Union.
Gruff took a day out of his busy touring schedule to work with Simon Jones in Studio 1 to create a number of music cues for the film as well as a theme for the end credit roller. The film is set on the beaches and in the dunes of North Gower and Gruff composed some lovely sparse guitar themes that perfectly complement the landscape and the drama. We captured Gruff’s guitar and voice with vintage U87s through our new Neve 1073 mic pres.
“Dad” is the first production from Ffilmworks, a new company with close connections to Soundworks and we were heavily involved in the location sound recording as well doing the audio post on the film. Read more about Dad at their Facebook page
We’ve made what is potentially our craziest investment to date in purchasing a beautiful Studer A800 24 track from a celebrity owner with very low hours. It’s fully serviced and ready to roll, even sync able to video via Microlynx. We also have 24 tracks of Dolby SR available. We can now provide that unmistakable analogue sound.
We’ve also installed some lovely Neve 1073 Mic amps. These compliment our Neumann U87, U47 and TLM 170 vocal mics beautifully. Some new outboard also in the shape of the UBK Fatso compressor and Empirical Labs Lil Freq analogue EQ.
Lauren Harries and Ed Russell have been tracking vocals through our Neumanns and Neve mic pres for Lauren’s new music project. Find out more about Lauren here
And finally Russi Harley has been writing at Soundworks for the mysterious new
Zibra album. Follow Zibra here
Bafta award winning audio post production studios Cardiff Bay, UK